About The Worm

The Worm lives deep underground, digging up the best of what you haven't heard so you can complete your music education. We're also throwing in some stuff you have heard because it rules so hard. And because we can. Boo ya.

Select an Artist:

State Radio
State Radio on the Worm
Knights of Bostonia

The Hours
The Hours on the Worm
Ali in the Jungle

Yeasayer
Yeasayer on the Worm
Ambling Alp

Fan Death
Fan Death on the Worm
Reunited

Portugal. The Man
Portugal. The Man on the Worm
The Sun

Chickenfoot
Chickenfoot on the Worm
Get It Up

Langhorne Slim
Langhorne Slim on the Worm
Be Set Free

The Most Serene Republic
The Most Serene Republic on the Worm
Heavens To Purgatory

Sparks the Rescue
Sparks the Rescue on the Worm
We Love Like Vampires

Katatonia
Katatonia on the Worm
Day and Then the Shade

Featured Video:

Mostly Bears

Melancholyism


Dig Deeper:

"The treatment of the video read as follows: an experiment of the body. An exploration of what is human through physical exposure of emotion, unidentifiable to the average or conformed. The abstract art of the body encompasses the depth of the human soul, as it is brought to the surface and understood in a brand new way.

"The song itself is based on the unconscious state of mind that is brought to life in dreams. 'Melancholyism' celebrates a surreal encounter that is influenced by hypnagogic art, ie Salvador Dali.

"Chelsea Coles (the director) approached us with a reel of avant-garde video art by artist Jeejung Kim, and asked if we were interested in using Jeejung's concepts for 'Melancholyism'. We had worked with Chelsea before in 2008 when she shot a short documentary on Mostly Bears at SXSW. She is highly resourceful - the type of person that can find qualified personnel on her iPhone; the type that can stretch a $2 budget into something that looks more like $200. In the indie market these attributes, I feel, are the most important to possess.

"We were also very impressed with Jenjung's video art, it's very... beautiful and disturbing. Very dark. And we thought it'd be a perfect match for our music.

"Overall, as a band we didn't have a lot a lot of input, we watched our first edit and made adjustments. But we liked what we saw, and we let her go - basically telling her 'the weirder, the better'. We wanted to avoid any music video cliches - no live shots of the band playing, no shots of me singing into the camera, nothing typical." - Brian Lopez (Mostly Bears)



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